The fascinating story of a friendship; a lost tradition; and an incredible discovery; revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad. In Hidden in Plain View; historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns; including a prominent one called the Charleston Code; were; in fact; essential tools for escape along the Underground Railroad. In 1993; historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston; South Carolina. With the admonition to "write this down;" Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started; Williams stopped; informing Tobin that she would learn the rest when she was "ready." During the three years it took for Williams's narrative to unfold—and as the friendship and trust between the two women grew—Tobin enlisted Raymond Dobard; Ph.D.; an art history professor and well-known African American quilter; to help unravel the mystery.Part adventure and part history; Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas; from the low-country island Gullah peoples to free blacks living in the cities of the North; and shows how three people from completely different backgrounds pieced together one amazing American story.With a new afterword. Illlustrations and photographs throughout; including a full-color photo insert.
#1439910 in Books Darrell Dawsey 1997-01-20 1997-01-20Original language:EnglishPDF # 1 8.50 x .75 x 5.50l; 1.04 #File Name: 0385473141368 pagesISBN13: 9780385473149Condition: NewNotes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Review
0 of 0 people found the following review helpful. For all those who deny that racism is still a problem...By Robert ReidFirst and foremost; I recommend this book to all white people in America who don't "get" racism- which would be all of us. While it's far too easy for well-meaning Americans to take for granted the privilege of being born into the dominant race; it's very difficult to see the challenges that others; particularly blacks; face due to systemic factors built over centuries of racism. This book illuminates these challenges; not in vague and general terms that would trigger knee-jerk defensiveness in us; but via a series of short profiles about struggling blacks throughout the nation.Much like Studs Terkel; Dawsey captures the dialect and raw sentiment of his many subjects; and in large part reserves judgment and leaves the reader to draw conclusions. Each chapter covers a distinct topic- the role of mothers; the role of fathers; sexism; violence; etc. and begins with a short autobiographical passage defining his own experience. Dawsey doesn't boast at all about how he not only outlived most of his friends but developed himself into a highly articulate and sensitive writer on one of the touchiest and divisive subjects of all. But; it's hard not to notice.For all those who deny that racism is real... the genius of Dawsey's work is that he doesn't so much tell you that racism is real but rather shows you what he's seen- and leaves it up to you to decide. To be sure; he does introduce some heavy-handed and likely controversial sentiments- citing the church's manipulation of blacks through faith; blacks' role as sacrificial pawns in the drug industry which is ultimately run by whites; "white-run parasite industries that thrive off the misdirection of the ghetto"; an explanation of blacks' tendency to physically punish children as part of "a tradition that has roots in our peoples' history as white folks' chattel... to teach them the common sense and safety of subservience in an era wherein brashness in Black kids often raised a murderous ire in slaveholders and overseers."While these views are probably not palatable to many skeptical readers; the book as a whole is very palatable due to the author's own disarming honesty and self-awareness. Not only does he come clean about his days as a teenage stickup man (a product of his own "petty greed; a desire to earn props; boredom; mischief"); but he also labels himself as a sexist ("I feel a special need to address the issue of sexism as directly as I can; given my limitations as a beneficiary of the oppression of women.") before describing how he's worked to overcome it. So if Dawsey can acknowledge that sexism is real; who are we (whites) to deny that racism is real?1 of 1 people found the following review helpful. Average book about a great topicBy A CustomerDawsey is an African-American journalist from the East Coast. He interviewed thousands of young African-American males for this book. The chapters break down into such matters as parents (especially absent fathers); girlfriends; (being chased by) the cops; emerging political identities; etc. He provides stories from a number of his interviewees. Dawsey intends his audience to be the same group of people that he interviewed. Thus; this book is more for teenagers and young adults than academics or older readers. While Dawsey makes a decent attempt at condemning sexism; his discussion of homophobia is half-hearted and dismissive. I liked Belton's "Speak My Name" and Carbado's "Black Men on Race; Gender; and Sexuality" much more than this book. However; this is a decent; beginning piece for people who want to read about young brothers.