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Missouri Slave Narratives: Slave Narratives from the Federal Writers' Project 1936-1938

ebooks Missouri Slave Narratives: Slave Narratives from the Federal Writers' Project 1936-1938 by From Brand: Applewood Books in History

Description

Robert Sheridan has been of the Monitor story since the 1970s; when his research vessel first made sonar contact with the long-lost wreck of the famous Civil War ironclad; and he collected the first identifiable artifact. In this book he combines his firsthand perspective of the Monitor's discovery and efforts to save her artifacts with an authoritative history of the ship that revolutionized naval ship design. Opening chapters discuss the ship's construction; her successful battle with the Merrimac in 1862 that spelled the end of wooden warships; and the Monitor's sinking later that year off Cape Hatteras. Comments from the secretary of the Navy who spurred the building of the Monitor; the captain who ordered her into action and the young lieutenant who survived the sinking; add color to these historically significant events. In addition to his personal account of the discovery of the Monitor; Sheridari addresses the issue of controls over the wreck and recovery proposals. He describes his nearly twenty years of lobbying to convince Congress that the Monitor's deterioration called for action The book's final chapters chronicle the raising of artifacts from this national treasure. Although several books have been written about the dramatic history of the Yankee ironclad; and several others have been published about attempts to recover her; this is the first to cover both subjects in detail.


#2004694 in Books Applewood Books 2006-07-20Original language:EnglishPDF # 1 9.25 x .38 x 7.50l; .69 #File Name: 155709019X168 pages


Review
2 of 2 people found the following review helpful. Missouri Slave NarrativesBy Gary J.If you want to know what life on an antebellum Missouri slave owning farm was like; read these accounts. I produced a documentary about slave life in Missouri; Negroes To Hire. I used actors reading from the slave narratives to document what my talking head experts were telling the audience. My audiences get a sense of slave life directly from the mouths of slaves.

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